Paul lands in a Mediterranean seaside resort. He is enjoying a few moments by the sea, when his gaze is captured by the arrival of a muscular man with a tanned complexion. This stranger becomes his obsession, fueling a destabilizing desire.

Paul lands in a Mediterranean seaside resort. He is enjoying a few moments by the sea, when his gaze is captured by the arrival of a muscular man with a tanned complexion. This stranger becomes his obsession, fueling a destabilizing desire.

As a child of working-class parents, 17-year-old Kevin reconsiders society and its injustices when his best friend Elias tells him about the benefits of the monarchy in his homeland. The two high-school students' reflections on the subject of history will bring them face-to-face with many of those who reject the idea, but also with the discovery of the real heritage of the French Monarchy.

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The passenger enjoys herself in a parade of trees, even risking taking root there. The passengers of a boat, swept by a loving gaze, appear in sequence from image to image.

The passenger enjoys herself in a parade of trees, even risking taking root there. The passengers of a boat, swept by a loving gaze, appear in sequence from image to image.

Pascal's life should have been normal and happy. A shepherd in his native Provence, he was a friendly young man who very naturally fell in love with Vivette, the daughter of a rich farmer. But that was without counting with Marcellin, a spiteful, jealous man who coveted Vivette and wanted her for himself.The traitor managed to have Pascal enrolled in Napoleon's army. Pascal came close to death in Russia but miraculously survived. And fifteen years later vengeance would be his. Reunited with Vivette and the child he had given her, time had come for happiness.

The art of drawing was of enormous importance in Ancient Egypt. Outline drawings made with a pen or brush formed the basis of all pictorial representations during the pharaonic period, whether paintings, bas-reliefs, statues or even architecture. Even Egyptian writing consisted exclusively of images. The art of drawing was practiced in Egypt for almost three millennia according to precisely defined rules. From Sakkara to the Valley of the Kings to the extensive collections of European museums, Bernard George's documentary provides an insight into the most beautiful works, their creation and their religious and magical significance, which played such an essential role in Egyptian civilization.

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Accompagnant la fin de l'exposition Particules de Nuit, Apichatpong Weerasethakul répond dans ce court-métrage à la question « Où en êtes-vous ? » et met en scène son bureau, son environnement de travail, ses gestes de recherche et de création. 　　Le bureau qui avait peur déploie une exégèse de quelques vers du poète thaïlandais contemporain Uten Mahamid et la façon dont le cinéaste et artiste s’en nourrit, ainsi que d’autres œuvres, pour donner naissance à une œuvre fictionnelle. Ce court métrage accompagne la fin de l’exposition Particules de Nuit / Night Particles au Pavillon Brancusi, et la mise en sommeil des salles de cinéma du Centre Pompidou le temps des travaux à venir dans l’ensemble du bâtiment.